Our Colors

Gengoroh Tagame

Translation by Anne Ishii

A mesmerizing coming-of-age and coming-out graphic novel by the genius writer-artist of the Eisner Award–winning breakout hit My Brother’s Husband

Set in contemporary suburban Japan, Our Colors is the story of Sora Itoda: a sixteen-year-old aspiring painter who experiences his world in synesthetic hues of blues and reds, governed by the emotional turbulence of being a teenager. He wants to live honestly as a young gay man in high school, but that is still not acceptable in Japanese society. His best friend and childhood confidant is Nao, a young woman whom everyone thinks is (or should be) his girlfriend; and it would be the easiest thing to play along—she knows he is gay but knows, too, how hard it is to live one’s truth in their situation.

Sora’s world changes forever when he meets Mr. Amamiya, a middle-aged gentleman who is the owner and proprietor of a local coffee shop, and who is completely, unapologetically out as a gay man. A mentorship and friendship ensues, as Sora comes out to him and agrees to paint a mural in the shop, and Mr. Amamiya counsels him (platonically) about how to deal with who he is. But it won’t be easy. Mr. Amamiya paid a high price for his freedom of identity, and when a figure from his past suddenly appears, it becomes a prime example of just how complicated life can be.

GENGOROH TAGAME was born in 1964 and lives in Tokyo. After graduating from Tama University of Art, Tagame worked as an art director while writing manga and prose fiction, contributing illustrations for various magazines. In 1994 he cofounded the epochal G-Men Magazine, and by 1996 he was working full-time as an openly gay artist. He is the author of dozens of graphic novels and stories, which have been translated into English, French, Italian, and Korean. His artwork has been exhibited in galleries across Europe and America. His first all-ages title, My Brother’s Husband, earned him the Japan Media Arts Festival Award for Outstanding Work of Manga from the Agency for Cultural Affairs. In 2018 it received the Eisner Award for Best U.S. Edition of International Material—Asia.